'Poetry Response of Sonnet by Billy Collins'

'1. The loud vocalizer of the numbers is writing a sonnet, and his sonnet talks closely the twist of sonnets which consist of 14 lines that rhyme and atomic number 18 written in iambic drop a lineta yard, and the meaning of sonnets which is usu eachy slam.\n\n2. The speaker seems to allot a situation in the metrical composition, by dint of a figurative look introducing Petrarch himself and his muse Laura, which stands as a emblem of the speaker lay down his pen  to show Laura how such(prenominal) he chicanes her through actions rather than a sonnet. The appropriate sense of hearing of the poem would be for authors that need their muses, the stars they love to help them.\n\n3. The pronounce persona is applicable because the speaker explores the traits of a sonnet, the complications and the resolution.\n\n4. The structure of the poem appears as a typical free-verse poem, scarcely it does share some(a) qualities of a Petrarchan sonnet, provided it doesnt have unremitting rhyme project or meter so it doesnt symbolise a direct Petrarchan sonnet.\n\n5. The main case the poem is the speaker stating that the old sonnets all have the analogous content and theme, to wit love, and that every sonnet, that stands for a declaration of love for someone cannot devise more of difference.\n\n6. The timber of the poem started mop up as clean humorous, through the speakers similitudes surrounded by similar extremities to the fleck that they were hyperboles, but in the last stanza the pace be humps more effective because the speaker exposes his honest feeling about his own authorise in comparison to his mothers gifts.\n\n7. In the poem, the speaker uses personification of entering a undersized ship crosswise loves storm tossed seas  to address love, or the complications that come with love.\n\n8. The speaker states a religious annexe in one for every beam of the cross , which alludes to the fourteen Stations of the foul up in Ca tholicism.\n\n9. In the poem, the iambic bongos  are iambs,, which is an unworried syllable followed by a stressed syllable, and while the ... '